Search results
Search results for 'Hong Kong'
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Is This about Culture?
Leung Chi Wo in conversation with Robin Peckham
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So I don't really know sometimes if it's because of culture
Leung Chi Wo
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Qalandiya International 2016
Pattern Recognition: Ramallah
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Qalandiya International 2016
Biographies
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FIELD MEETING Take 4: Thinking Practice
Responses
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A Prologue to the Past and Present State of Things
Curator's Essay: Aaron Cezar
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Going Both Ways
Yuko Hasegawa in conversation with Walter D. Mignolo and Stephanie Bailey
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FIELD MEETING Take 4: Thinking Practice
Programme / Schedule
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FIELD MEETING Take 4: Thinking Practice
Speaker Biographies + Synopses
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FIELD MEETING Take 4: Thinking Practice
Curatorial Narrative
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FIELD MEETING Take 4: Thinking Practice
Introduction
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A Militant Cinema
Mohanad Yaqubi in conversation with Sheyma Buali
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Art After Identity Politics
Nav Haq in conversation with Stephanie Bailey
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Alternate Geographies
Sumesh Sharma in conversation with Amanprit Sandhu
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From Central Asia to the Caucasus
Leeza Ahmady in conversation with Taus Makhacheva
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Curating the Revolution: Meeting Points 7
WHW in conversation with Omar Kholeif
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Systems of Fragments
Hajra Waheed in conversation with Stephanie Bailey
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The Jerusalem Show
A View from Afar: Stephanie Bailey
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The Time is Out of Joint
Tarek Abou El Fetouh in conversation with Stephanie Bailey
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Event Horizon
Eric Baudelaire in conversation with Anthony Downey
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Syrian Art Comes of Age
Malu Halasa
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Ibraaz April Newsletter
Ibraaz
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Time Share
The 2016 March Meeting
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History in Play
Hammad Nasar in conversation with Reema Salha Fadda
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News
To close Ibraaz Platform 010, we present new essays by Ibraaz Editor-in-Chief Anthony Downey, Ibraaz Senior Editor Stephanie Bailey, Ibraaz Contributing Editor Ala Younis, and Natasha Hoare; interviews with Szabolcs KissPál and Mahmoud Khaled, Toleen Touq, Cevdet Erek, Hammad Nasar; projects by Shadi Habib Allah, Mahmoud Bakhshi, Maryam Monalisa Gharavi,...
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Now Where?
On Navigating Without a Compass
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Response to Platform 10 by Iftikhar Dadi
Of course, I do not wish to be misunderstood as arguing for nativism or closure. But the specific history of the region matters deeply, as factual evidence, but even more so in terms of identifying resources that can be transformed and activated in new ways today.
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The Shadow Economies of Being Seen
Determining the Axis of the Global South and Middle East
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Response to Platform 8 by Pio Abad
The Cultural Centre of the Philippines opened to great political fanfare on 10 September 1969, with a ceremony that was graced by none less than California Governor Ronald Reagan and his wife Nancy acting on the orders of President Nixon.
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The Jerusalem Show VII
Outside Looking In: Taking a Title and Running With It*
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Utopian Dust Versus Perfumed Amplification
Object Lessons from Saadiyat Island and Gehry’s Guggenheim, Abu Dhabi
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The Ugly One
Eric Baudelaire
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Codes of Limbo
Basak Senova on Zeren Göktan's Counter (2013)
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Enacting the Archives, Decentring the Muses
The Museum of Islamic Art in Doha and the Asian Civilizations Museum in Singapore
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RE:EMERGING, DECENTRING AND DELINKING
Shifting the Geographies of Sensing, Believing and Knowing
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One City, Two Guides – An Untimely Collaboration
What if Rani al Rajji and Michel De Certeau met in Beirut?
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CAMPING AND TRAMPING THROUGH THE COLONIAL ARCHIVE
A Talk and Screening by Shabbir Hussain Mustafa
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About us
Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...
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Copyright Notice The copyright for content on this website is held by the Ibraaz Publishing, except for material provided by other organisations, where copyright ownership is indicated. The views expressed on this website are not necessarily those of Ibraaz Publishing. You may link to us from your site, as long...